February 1, 2015
A recent BBC documentary about the artist Hans Holbein, who painted so many of Henry VIII's court, was fascinating, and not only for the insights his work provided into the sitters' personalities. He had written Anne Boleyn's name as 'Anne Bollein'. Spellings in Tudor times were not as standardized as they are now, and Holbein probably wrote the name as he heard it pronounced. As the artist's surname also ends in 'ein' this could mean that it was pronounced the same way. So Anne Boleyn was either pronounced 'line' rather than 'lin' or Holbein was pronounced Holbin. The other alternative is that they both, or one or the other, were pronounced 'ane' as in lane.
That's interesting in itself, but how does the difference in pronunciation of the name affect perceptions of the person to whom it belonged? The conventional pronunciation of Boleyn sounds more exotic than 'Bolline', which seems more English and ordinary. It would lose some of the romance attached to it. The difference is so small, it demonstrates how careful writers have to be when naming characters. Choose badly, and you could prejudice readers against your heroes, but you could also use a name to subvert their expectations. Fantasy authors making up names have to be particularly careful that there might not be a way to pronounce them that they hadn't though of. If the way to pronounce your characters' names is ambiguous, it could really put readers off. I suppose, the shorter they are, the safer, but sometimes one syllable simply isn't enough.
The result of all this is that I'm not going to be able to rest now until I've gone through all my work and tried saying the characters' names every way I can.
Posted by K. S. Dearsley. Posted In : Linguistics
January 25, 2015
Today is Burns Night, the annual celebration of Scotland's national poet. He wrote in his own dialect, and while many people (including, I suspect, some Scots) might struggle with it, every poet owes him a debt. Robert Burns broke the chains that bound poetry to classical forms and helped us all to escape the 'thees' and 'thous' and archaic language.
Now, poets can write sonnets or haiku, odes or free verse. They can write about eating the plums someone had saved in the fridge ('This is J...
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Posted by K. S. Dearsley.
January 18, 2015
I've been writing a short story, which seemed simple enough before I started. I'd got the beginning, middle and end, and I'd even jotted down parts of a couple of scenes. Yet as I scribbled away, it began to wriggle around. Would the story be better set in the past or the present day? Should I aim it at youngsters or adults? After a couple of false starts and much crossing out, I finally reached the end only to discover that the story isn't about what I thought it was at the outset at all. Ne...
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Posted by K. S. Dearsley. Posted In : Competitions
January 13, 2015
I've been plagued with clichés buzzing around my head while I've been trying to write, but I'm holding out for my own fresh metaphors, similes and turns of phrase. Clichés might be accurate, but everyone has heard them so often that they have become meaningless. Maybe a heroine does 'go weak at the knees', but readers will no doubt forget her unless she does it in an original way. Notice that I haven't provided an alternative myself. Devising good ones isn't easy, but it's well worth making...
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Posted by K. S. Dearsley. Posted In : Coming Soon
January 4, 2015
Happy New Year! My festive season was quiet, to say the least. Injuring my elbow was more frustrating than painful, and it prevented me doing things like sending Christmas cards (I could write them, but not get them in the envelopes) or keying in Discord's Apprentice, although I did succeed in completing another rewrite. Typing in this blog one-handed is as much work as I've attempted at the computer.
The enforced inactivity gave me a chance to reflect on a number of things. Mine is a rela...
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Posted by K. S. Dearsley.
December 13, 2014
Sorry to everyone who expected a new blog before this. I've had a fall, and although I feel fine, the plaster cast on my arm is slowing me down rather. Normal service wil be resumed when it comes off.
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Posted by K. S. Dearsley.
November 30, 2014
I don't usually use this blog as a platform to complain about society (apart from errant apostrophes), but the behaviour of the bargain hunters who stormed the shops on 28th November prompts me to break my rule.
What on earth did people think they were doing? Whatever happened to the British tradition of queueing? There was no politeness or consideration, and very little common sense. Wheelchair-bound people were knocked down and trampled over, shoppers were rugby tackled and people had go...
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Posted by K. S. Dearsley.
November 24, 2014
How many times can you rewrite a first chapter? I think I'm heading for a record. The first few pages of a novel are crucial in hooking readers' interest and persuading them to keep going beyond the free sample. It's always going to be hard to get it right, but with a sequel it's even harder. How much of the previous novel's events should I fill in? Do I need to describe the characters again? There's a real danger that I'll end up info dumping–having characters tell each other things they a...
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Posted by K. S. Dearsley. Posted In : Coming Soon
November 16, 2014
You never can be sure what the consequences of submitting work to a publication or entering a competition might be. It might seem straightforward: your work is either accepted, or it's rejected. However, even when the editors or judges don't select your submission/entry you might still end up a winner.
After my story, 'Salvage', appeared in
Daily SF, Paul Coles of
Beam Me Up Podcast asked if he could broadcast it. Of course, I grabbed the offer, and I'm privileged now to have had dramatis...
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Posted by K. S. Dearsley. Posted In : Competitions
November 2, 2014
Another magazine of speculative fiction has closed its doors only a few issues after it launched. In explaining why, the people behind it complained that there had been little take-up from advertisers and readers, and that people seemed more interested in writing stories than reading them. This may be correct. However, they went on to say that writers and would-be writers should spend $10 a week (around £6) on subscriptions to magazines.
Ideally, writers should always read at least one is...
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Posted by K. S. Dearsley.
