The Plot Thickens

March 30, 2026

Or does it? There is no right or wrong way to plan a piece of writing. Use whichever method suits you, because if you ignore it, you're likely to run into trouble. Some people are pantsers, and are happy to set off on a 150,000-word novel with only the skimpiest of ideas to guide them. Others aren't comfortable unless they have every plot point, character flaw, setting and back story marked on a spreadsheet or graph, as if they're heading out on an expedition to find the source of the Nile although they're only going as far as a short story.

You have to have some part of an idea to begin with, whether it's a one-word prompt found on social media or a dictionary opened at random; a certain fall of light through the leaves in the park; an overheard conversation; a piece of music or some other flash of inspiration. It could be a character, a place or a situation that sets you off.

From there, you could jot down whatever ideas occur to you at random just as they arrive. The next stage could be to sort them into a loose order by using a spider plan, or you might prefer to use index cards or post-it notes that you can stare at pinned to a board and shuffle around until they fit in the right place. Of course, you can use a computer instead.

One advantage of putting things on notes or cards is that you can more easily spot where there are gaps or inconsistencies, or that you have no logical reason for 'B' coming after 'A'. You can number your cards and add others between them e.g. 1(a) etc.. You can also use these numbers to indicate where supplementary notes such as character features, particular conversations or details about settings might be relevant.

Your work might have several storylines intertwined and putting these on a graph or spreadsheet is a way to keep track of them, so you can see what should happen when i.e. in relation to the other storylines, and show you where the climaxes should occur and when they should meet or cross.

I usually go for something in the middle. I have tried writing whatever pops into my head and simply following wherever my pencil leads me. Occasionally, I've found it works, but more often I get lost and have to write all around the houses to find my way back to the right track. That's why I note as much as I can and put it into some sort of order before I begin, then I add to the plan as I go along. For a novel, this means a separate page for each chapter, with the bones of what happens. I have notes for each character (their appearance, temperament, skills, back story etc.), and for settings. For Fantasy and Science Fiction, it's particularly important to think about any different cultures and societies, and what the implications of these might be. Also, things like the climate and time of year. Without doing this, I find it all too easy to write things that couldn't logically be there and/or write myself into a corner.

There's no need to stick rigidly to the plan. In fact, it's almost inevitable that it will change, because as you write, the characters tend to go the way they want to, and other ideas come to you. This is what's been happening with the novel I'm currently writing (working title: The Omega Hunt). I thought I knew the characters well, and I'd plotted what needed to happen in each chapter, but I keep discovering more details about the former and that while I have decided what happens, I have no idea how. The result is, I've been writing one scene forward, then having to go back and change what I've already done. At least the notes I've made help me to find the place that needs editing.

It doesn't really matter whether you are a plotter or a pantser; the most important thing about a first draft is that you finish it!

 

Playing Around

March 16, 2026

You've written a play. Great! Now what are you going to do with it? There are hosts of theatres, theatre companies and groups, but which ones put on new work and are open to submissions? Which ones pay? Will you be expected to have input in the production, or be forbidden to 'interfere'? How are plays licensed for performance? How do you get them published?

A good place to start looking for answers is the BBC's Writers Room. It lists all kinds of openings and advice for TV, film, radio and st...


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I Confess

March 1, 2026
Okay, hands up, I admit it–I have yet to read the books I downloaded in the Smashwords Winter-Summer Sale and spring is already here. What is more, so is the Smashwords Read an Ebook Week Sale. Until midnight on 7th March, readers will be able to choose from hundreds of free and discounted novels, and I know I won't be able to resist downloading more.
It is a great opportunity for readers to catch up with the latest works by authors they already know and love. More than this, it is a great ...
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At Last!

January 29, 2026

It can be very frustrating when you have some good news but you aren't allowed to share it. Before Christmas, one of my stories was accepted for publication, and I was bursting to let the world (okay, my friends and followers) know. However, not all the details of the anthology concerned had been finalised, and until they were, I was sworn to keep my lips sealed.

Well, now the news is out, and I can tell everyone that my story, 'The Silent War', will be appearing in Flame Tree Publishing's Dre...


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Out of Thin Air

January 20, 2026

"Where did your inspiration come from?" It's a question that many authors dread. My answer is usually: "If I knew, I'd bottle it." Last year, I wrote a blog for Bacopa on the subject, especially about how fragile inspiration can be and how easy it is to crush it if you try too hard to catch it. Yet the question about how an idea arrive keeps cropping up, so I've decided, where possible, to make a note of it after I've jotted it down.

I'm hoping that this will have another benefit beyond being...


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Seasonal Shortcomings

January 11, 2026
It's the same every autumn. Maybe the air nips my exposed fingers first thing in the morning, or a weighty sky presses upon me the thought that a season of perpetual twilight is approaching, and I realise that if I want to write something appropriate for winter, the solstice, Christmas, the season of good cheer etc., I'd better get on with it. My intention is always to write something profound or beautiful, but it never turns out that way. However wonderful the piece I have in mind is, the re...
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Don't Panic!

December 28, 2025
It is all too easy at this time of year to take everything too seriously and stress about things that really aren't worth it. So you forgot to buy the sprouts–who cares? The cat wrecked the Christmas tree.: it isn't a disaster. In future years it will be one of the fond memories you share.
To lighten the mood, and in the spirit of seasonal silliness, here are a couple of pieces to make you groan or laugh. They aren't perfect, but that's Christmas for you. Relax and enjoy it.

Inspired by Bald...


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Break a Leg

November 8, 2025
Not literally, of course, but at the moment I almost wouldn't mind having a leg in plaster if it meant I didn't have to go on stage tonight.
I've never thought of myself as an actress and only agreed to take the part to help a friend. I should have known better. I suppose I was flattered to be asked, and the previous productions I've taken part in have been good for me. I've enjoyed meeting the rest of the cast, I've learned much about what makes a good script and I've had fun. This time, how...
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Bonfire Season

November 2, 2025

Few writers arrive on the literary scene fully formed like Athene from the head of Zeus. There are 'instant' successes, such as Zadie Smith whose first novel White Teeth was a bestseller, but most writers have to learn when they start out–me included.

Recently, I came across a publication that had an open call for a particular type and length of story. The only ones I had that I thought might be made to fit the bill, were some that I wrote when I first started trying to get published. They w...


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Read All About It!

October 16, 2025
Writers don't have to resort to fake news to influence how readers will interpret what they write. It is not only what they say that is important, but how they say it.
Inevitably, a certain amount of editing is involved. It is impossible to include all the facts and details of even simple stories or issues. There has to be some decision on what to include or exclude. What kind of language is chosen is also influential: is it formal, authoritative, chatty etc.? This might in part be influenced...
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About Me


My writing career began as a freelance feature writer for the local press, businesses and organisations. Now a prize-winning playwright and short story writer, my work has appeared in numerous publications on both sides of the Atlantic. I write as K. S. Dearsley because it saves having to keep repeating my forename, and specialise in fantasy and other speculative genres.

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